Simphiwe Ndzube: Selected Works
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'How does it look when paintings sing?'
Oil on canvas
150 x 100cm | 59” x 39.5”
$46 000
'I'm generally interested in materiality… previously I could be playing music, picking things up, taking photographs, printing, enlarging things, working with acrylics, working with glue, working with so many things. It felt like I was the maestro to a chaotic orchestra. Right now I feel like I'm in a space where I would like to be still and make the work sing.'
'Someone asked me ‘what are they singing?’ I think about the influence of these hymns, choral hymns, political songs, our South African style of protest music, and Christian music being converted to political songs with people coming together in protest or even people coming together with songs of mourning after death. I'm looking at those songs and wondering about the many different aspects that these characters could be singing or the moments they could be singing in.'
Oil on canvas
240 x 200cm
$70 000
'I work with gathering people and of course, the importance of people gathering together in song… its healing modalities, it's so powerful. For the viewer listening to many voices come together, that is such a cathartic experience, a religious experience, a healing experience.'
— Simphiwe Ndzube, 2023
Simphiwe Ndzube was born in 1990 in Hofmeyr, Eastern Cape, and lives in Los Angeles. He has a BA Fine Art from the Michaelis School of Fine Art, University of Cape Town. Oracles of the Pink Universe, the artist's first institutional solo exhibition in the United States, took place at the Denver Art Museum in 2021. Previous solo exhibitions have taken place at Museo Kaluz (2019); CC Foundation, Shanghai (2018) alongside Nicodim Gallery (2017-2022), and Stevenson (2019-2022).
Recent group exhibitions include Boil, Toil and Trouble, Art in Common, Los Angeles USA (2023); Pacific Gold, California Biennial, Orange County Museum of Art, USA (2023); Abrasive Paradise, Kunsthal KAde, Amersfoort (2022); In Some Form or Fashion, The Momentary, Arkansas (2021); Lineages: Works from the Collection, NSU Art Museum, Fort Lauderdale (2021); Shattered Glass, Jeffrey Deitch, Los Angeles (2021); Witness: Afro Perspectives from the Jorge M Pérez Collection, El Espacio 23, Miami (2020); A Fair Share of Utopia, Nest, the Netherlands (2020); Là où les eaux se mêlent (where water comes together with other water), the 15th Lyon Biennale (2019); Open Borders the 14th Curitiba International Biennial, Brazil (2019); People at Jeffrey Deitch, Los Angeles (2019) and New Acquisitions, Rubell Family Collection, Miami (2019).
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